黄片荔枝视频

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Documentary film: Waste Land

Sunday, July 6, 2014 15:00to17:00
Redpath Museum auditorium, 859 rue Sherbrooke Ouest, Montreal, QC, H3A 0C4, CA
Price: 
Free with donation to Museum

(2010). Filmed over nearly three years, this film follows renowned artist Vik Muniz as he journeys from his home base in Brooklyn to his native Brazil and the world's largest garbage dump, Jardim Gramacho, located on the outskirts of Rio de Janeiro. There he photographs an eclectic band of 鈥渃补迟补诲辞谤别蝉鈥�鈥攕elf-designated pickers of recyclable materials. Muniz鈥檚 initial objective was to 鈥減aint鈥� the catadores with garbage. However, his collaboration with these inspiring characters as they recreate photographic images of themselves out of garbage reveals both the dignity and despair of the catadores as they begin to re-imagine their lives.

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Tags: 
External
Films
Science documentary film
Sundays
Vic Numiz
waste
Fri, 12/01/2017 - 11:01
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/redpath

Land Acknowledgement

黄片荔枝视频 is on land which has long served as a site of meeting and exchange amongst Indigenous peoples, including the Haudenosaunee and Anishinabeg nations. We acknowledge and thank the diverse Indigenous peoples whose presence marks this territory on which peoples of the world now gather.


Rematriation, Repatriation and Restitution Statement

We acknowledge that the return and restitution of cultural and natural heritage to communities of origin is an essential part of reconciliation and of recognizing the fundamental rights of Indigenous Peoples. As part of wider efforts to activate the standards presented in the Canadian Museums Association Report Moved to Action: Activating UNDRIP in Canadian Museums (2022), the Redpath is working towards pro-active restitution practices. As per our Collections Management Policy (2024), repatriation requests will be received by the Redpath Museum Director and will be treated on a case-by-case basis.

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Accessibility

Please note that the Redpath Museum is not accessible to individuals using wheelchairs. There are no access ramps or elevators, and access to the upper floors is only possible via a central staircase. The exterior entrance, interior spaces, exhibition rooms, and restrooms are not adapted to meet universal accessibility standards. Additionally, the building is not air-conditioned. For more information, please refer to the .听

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